Composer and Harpist Anne Vanschothorst’s music has been described as innovative, minimal, lyrical, cinematic, and touching yet intense. The same rings true in THAT I DID ALWAYS LOVE, the artist’s musical ode to the great American poet Emily Dickinson. Featuring seven of the poet's works set to music, Vanschothorst fosters an intimate listening space where two art forms reach a soothing synthesis, amplifying the elegance of Dickinson’s texts with the graceful nature of the harp, a perfect pairing.
When thinking of versatile instrumental setups, the brass quintet might not be the first thing that comes to mind. A grave oversight, according to Alias Brass Company, an all-American brass ensemble which aims to change any such preconceived notions with their vibrant renditions of highly diverse and inclusive music on PRISM from Big Round Records.
The versatility in terms of style, mood, and genre is absolutely stunning, whether it's a film soundtrack (Gabriel's Oboe, Over the Rainbow), an obelisk of Baroque music (J.S. Bach's Little Fugue in G Minor), a Christian hymn (Amazing Grace) or a blues standard (St. James Infirmary), the Alias Brass Company navigates the territory with mesmerizing panache. Audacious and bold!
A signature sound deeply rooted in the Jewish tradition, the buoyant and soothing nature of Klezmer music speaks in a new tone in CELEBRATION MUSIC from Big Round Records. With pieces selected by renowned clarinetist Alexander Fiterstein and arranged for clarinet and string quartet by Ljova, Fiterstein and the critically acclaimed Muir String Quartet deftly handle the genre with passion and unbridled musicality, navigating both relaxing and exhilarating up-tempo passages with dynamism and verve. Historically performed by klezmer bands for major Jewish life events and celebrations in Eastern Europe and New York City, the style remains alive and well in this modern setting, arranged for the concert stage where audiences can enjoy its timeless, uplifting qualities.
If variety is the spice of life, A DIFFERENT TAKE adds a bowlful of zest to the idea of standard repertoire. On their debut album, the Gruca White Ensemble’s creative programming and energetic performance lead listeners on a journey through intermingled genres and out-of-the-box renditions of well-known tunes.
As a composer, Joseph T. Spaniola has written works for band, chamber ensembles, orchestra, solo instruments, voice, choir, and electronic tape. That astonishing versatility is on full display on ESCAPADE, his first release with Big Round Records. ESCAPADE opens with its title track, performed by The US Air Force Academy Band, which launches into an unrestrained musical exploration inspired by the composition’s first four pitches.
Transporting the listener to a mysterious and enthralling sonic world, composers and guitarists Alex Lubet and Maja Radovanlija present their debut release on Big Round Records, THE ENCHANTED GUITAR FOREST, which captures the duo’s Eastern European, specifically Jewish and Balkan, heritage.
Big Round Record's first installment of its compilation series, BIG ROUND SOUND VOL. 1, presents a deep cross-section of the label's contemporary and eclectic catalog. From jazz and world music to folk, fusion, and progressive rock, this album features performances by Tony R. Clef, the Oscuro Quintet, Andy Jaffe and Branford Marsalis, Sophie Dunér, the Larksong Trio, Anne Vanschothorst, Juan Álamo, Jean-Philippe Grégoire, and more in works by Christina Rusnak, Svjetlana Bukvich, Sebastiano Meloni, Ecco La Musica, Bunny Beck, and others.
La Mandragore, a historical five-member ensemble from Québec, Canada, imagines the music of the Vikings had they had the time and leisure to notate it. Playing folk instruments from the Mediterranean and Scandinavian regions, and singing songs and tales in Swedish, Norwegian, Old Norse, and French, the ensemble presents an authentic and eclectic collection of Viking-inspired music on their debut Big Round Records release, MIDGARD.
EK IS EIK, the debut Big Round Records release for critically acclaimed Dutch composer and harpist Anne Vanschothorst, features works for contemporary classical harp with a distinctly jazz twist. By way of solo harp pairing with instruments such as the trumpet, viola da gamba, percussion, and bass, Vanschothorst's music mirrors her passion for experimentation and eclecticism. EK IS EIK takes listeners on a journey of thoughts and memories, and appeals to the profound within the listeners: imagination, emotion, truth, and beauty.
EVOLUTION, the debut release from composer and performer Svjetlana Bukvich on Big Round Records, showcases five original electro-acoustic compositions that incorporate elements of prog-rock, avant-garde, experimental, jazz and world music. Integrating cutting-edge technology with tuning of her own design and her deep classical roots, Bukvich's hybrid sound tells stories of love, loss, trial and triumph in a bold yet sensuous style, breaking boundaries every step of the way.
HOMEWARD BOUND, the new album from The Larksong Trio (Peggo Horstmann Hodes singing soprano, Jennifer Yeaton-Parris playing the flute, and Calvin Herst on the piano), is a heart-warming collection of art songs, love songs, and American and Celtic folk songs.
THE CITY OF MY SOUL is a collaboration between jazz singer Sophie Dunér, classical ensemble The Callino Quartet, and Grammy- and Juno-winning producer Michael Haas, resulting in an explosion of stylistic fusion and musical ingenuity. Dunér talents as a composer, lyricist, and vocalist hailed as a genuine triple threat (Cadence) and prolific, fearless and quirky (Jazz.com) mesh seamlessly with the classically trained ensemble, allowing the colors and personality of her songs to shine through with musical and personal significance.
Big Round Records is proud to present MORNING MOON, the debut commercial release from the eclectic and varied Ecco La Musica. The group's seamless blending of jazz, world, chamber, and experimental music-all of which is composed by the group members themselves-highlights their ability to remain ahead of the curve of their competition, both independent and mainstream. As most artists struggle to blur the lines of genre, Ecco La Musica has them nearly erased.
Ecco La Musica seeks to connect to its audience not through an ability to be pegged into a single category, but through the spiritual and cultural aspects of their music. Firm believers in the unifying power of music and the coexistence promoted by its very craft, the group strives to expose listeners to the idea that originality and cross-cultural influences in music can lead to a global awareness of artistic integrity, the necessity for peace, and the unity of culture.
Philadelphia's first tango music ensemble, The Oscuro Quintet, evokes the passion and the grace of tango from dance floors to concert halls with a mind toward both the music of the past and the vanguard of progression. As their first full release, this self-titled album provides a document of the Quintet's dedication to both well-established staples of tango and new, progressive forms of the genre, including pieces composed by members of the group.