Catalog

THE OXTET DOES HINDEMITH from Josh Oxford is a bold reimagining of classical music in a jazz fusion context. In this album, Oxford revisits some of Paul Hindemith’s greatest works. Hindemith, a late Romantic German composer, lived during the first half of the 20th century and was among the most significant composers of his time. The album contains sonatas for trumpet, tuba, trombone, and more, in which tonically complex horn lines weave above a jazz band. Recorded at Pyramid Sound in Ithaca and at Ithaca College, the timbres of the various horns along with marimba, Fender Rhodes, drums, electric guitar and bass, and more, are rendered in high fidelity. THE OXTET DOES HINDEMITH features the music of this legendary composer as you’ve never heard it before.

Israel Neuman’s VOLUTION fuses the power of hip hop with the versatility of jazz to form a uniquely forceful expression. The music heard on the album hints at a number of other musical genres as well, including rhythm and blues and middle-eastern folk music, to name a few. Vocalists including AceKidd and Cole Bracey rap and sing over the kaleidoscopic timbres created by Neuman’s music. In Tear It Down, AceKidd’s lyrics decry systemic injustice with lines like “man down/oh but you won’t lend a hand out/pressed down expecting us to stand down.” In Rough, a lovesick Cole Bracey croons “I’m worthless without your love/I’m spinning…Oh it’s rough.” With evocative lyrics, masterful modulations, and a smooth blend of celebrated musical styles, VOLUTION invites a wide audience of music lovers to the table.

APERÇU from composer and banjo innovator Michael Nix challenges listeners to reimagine the banjo as an instrument. The music, part of Nix’s New Classic Banjo Project, is brought to life by Nix’s 7-string Banjar, incorporating a wide range of folk and classical styles to forge an entirely new genre: New Classical Banjo. The album's title, which translates to “A survey or sketch; or an immediate impression, especially an insight” delivers just that. Koromanti, the opening piece on the album, is based on the very first notated banjo music, a transcription of music performed at a gathering of enslaved people in Jamaica in 1688. Banjar Lam Plearn, meanwhile, pays homage to the Mor Lam style traditionally performed in the Issan region of Thailand. These, and many other Aperçu shine through this remarkable collection of music.

A signature sound deeply rooted in the Jewish tradition, the buoyant and soothing nature of Klezmer music speaks in a new tone in CELEBRATION MUSIC from Big Round Records. With pieces selected by renowned clarinetist Alexander Fiterstein and arranged for clarinet and string quartet by Ljova, Fiterstein and the critically acclaimed Muir String Quartet deftly handle the genre with passion and unbridled musicality, navigating both relaxing and exhilarating up-tempo passages with dynamism and verve. Historically performed by klezmer bands for major Jewish life events and celebrations in Eastern Europe and New York City, the style remains alive and well in this modern setting, arranged for the concert stage where audiences can enjoy its timeless, uplifting qualities.

On PEOPLE, PLACES, MOMENTS, Nina Feric presents a wide selection of all original works, each deeply in tune with life and art, and enriched with personal anecdotes from her own life. Her first album as both a composer and performer, Feric’s compositions often alternate between lighter and darker moments, while the use of modulation and chromatics give the melodies a certain dose of playfulness. Thoughtfully composed and masterfully conveyed through a single piano, the main message behind Feric’s music speaks clearly and warmly throughout: a positive outlook on the future and the joy of living.

From genre-smashing composer and keyboardist Miguel Kertsman and drummer Ernie Adams comes IN THE MOMENT, a true-to-its-name album that leaps over musical boundaries and defies any label. The single-take, minimally microphoned recordings capture the raw emotional potential of music and the spontaneity of an intimate recording session. Kertsman’s vintage analog keyboards, bass pedals, and Adams’ drums work in tandem to duck and weave between musical forms, mingling with progressive rock, jazz fusion, Brazilian, Eastern, and more, all seamlessly fused together into one cohesive musical journey.

Grab a drink, take a seat, and sway with your sweetie to the swinging sounds of pianist Berl Olswanger and his band on THE BERL OLSWANGER SHOW, Big Round Records’ fourth release of recordings by “Mr. Music of Memphis.” Recorded live in 1974, the never-before-heard album transports listeners to stageside seats as the band plays a historic set of toe-tapping tunes, from the horn-heavy Proud Mary to the country-western Green, Green Grass of Home. No matter the track, Olswanger’s presence is front and center, from his genre-blending skills and his technical chops at the piano to his ability to keep the band crisp and tight as they boogie through the set.

CIRCADIAN WORLD CLOCK from David Haney and Big Round Records is a captivating exploration of nature’s musical landscape. In this groundbreaking recording project, Haney challenges participants from around the world to submit 2-3 minute field recordings, each recorded at the specific hours of the day prescribed by the monastic Liturgy of the Hours.

Blues and big band lovers are in for a swingin' treat with Big Round Records' new archival recording of BERL OLSWANGER AND THE OLSWANGER BEAT, the label’s third released recording by “Mr. Music of Memphis." Olswanger, whose musical career spanned over a half-century, could easily be called a jack-of-all-trades: a popular bandleader, a prolific composer of swing music, a serial entrepreneur, and a wildly successful teacher bringing the art of music-making to the masses.

Since its inception in 2006, the B-Side Band has become the premiere professional big band in the city of Brno in the Czech Republic. Now, under the direction of bandleader Josef Buchta, the band presents its newest album: MISSA JAZZ. In this latest work, the B-Side Band is joined by Chamber Orchestra Brno and the Ars Brunensis chamber choir; together, they perform Jaromír Hnilička’s Missa Jazz. As its name suggests, the work is a complete Mass, and the score for its first iteration is held at the Vatican Library. Now, the original composition has been expanded to include a chamber orchestra and several new choral parts, resulting in a total reimagining of the work. First debuted in the fall of 2008, this album is the first-ever studio recording of the final expanded version of the Missa Jazz.

Berl Olswanger returns for a second installment of timeless archival recordings on Big Round Records, with BERL OLSWANGER AT PEPPER RECORDS, a collection of tunes recorded during the late-50’s golden era of the Memphis record business. Olswanger hit the state-of-the-art studios at Pepper Records to record 10 songs by William “Pat” Best, Floyd Huddleston, Olswanger himself, and more.

I AM NOT A VIRUS from composer Jordan VanHemert and Big Round Records, is a collection of contemporary music uniquely fitting for this unprecedented juncture in human history. Called an "excellent outing" by jazz historian Scott Yanow, the collection of lively, piano-driven jazz band performances takes inspiration from a wide swath of timely subjects—everything from the coronavirus pandemic to racially charged police killings and the resulting Black Lives Matter protests of 2020.

Big Round Records presents the first of three albums by “Mr. Music of Memphis,” Berl Olswanger, featuring tunes by Duke Ellington, Hoagy Carmichael, Cole Porter, and more. From pop standards and jazz ditties to good old-fashioned polka, pianist Berl Olswanger wrested command of just about every style.

Composer and songwriter Elaine Freeman and Big Round Records present LA SPERANZA, a careful selection of piano music, composed by ear, memory and touch without sheet music. Not quite classical, not quite pop, these pieces have the ability to appeal to both the casual listener and fans of musical minimalism.

If variety is the spice of life, A DIFFERENT TAKE adds a bowlful of zest to the idea of standard repertoire. On their debut album, the Gruca White Ensemble’s creative programming and energetic performance lead listeners on a journey through intermingled genres and out-of-the-box renditions of well-known tunes.

Fresh from Big Round Records comes the Cotatcha Orchestra’s BIGBANDOVÁ ELEKTRONIKA/BIGBAND ELECTRONICS. As its name suggests, this unprecedented album pairs original big band music with electronic music, concocting a sound—and perhaps even a brand new genre—that listeners have never heard before.

AMBIENCE is Big Round Records’ latest release from composer Joe Hume. After a decade of working exclusively as a professional pianist, Hume has returned to composing in a big way with this compelling 11-track album of airy original solo piano pieces.

New from Big Round Records comes jazz composer and pianist Paul English’s GIRL IN GREEN. The album features never-before-heard renditions of immortal classics as well as English’s original works. Listen as English and his cadre of masterful soloists carve a place for themselves in jazz history.

Described by critics as “beyond category, to use Duke Ellington’s signature compliment” (All About Jazz), Japanese marimba extraordinaire Mika Stoltzman brings her wealth of experience to her latest “Mikarimba” album, Big Round Records’ TAPEREBÁ. Vibrant and bursting with flavor (just like the Brazilian fruit which the album derives its title from), the jazzy TAPEREBÁ features performances by Stoltzman and a circle of legendary fellow artists. With over 25 Grammy Awards shared between the members on this record, a memorable listening experience is practically guaranteed.

On TO ONE, Croatian-born Lela Kaplowitz delivers a collection of songs that expressively hearken back to the singer/songwriter era of the 1970s, reviving the spirit of such ground-breaking artists as Carole King, Laura Nyro, and Roberta Flack. Kaplowitz, who has been lauded by jazz vocal legend Sheila Jordan as “an extremely talented vocalist” and Bobby McFerrin as having a “wonderful voice,” presents a nuanced mélange of pop, soul, jazz, and even folk music on TO ONE.