Catalog

A BISSEL RHYTHM is composer and clarinetist Paul Green’s PARMA Recordings debut, although it marks his second recorded exploration into the fusion between jazz and Jewish music. A performance at Merkin Concert Hall resulted in the New York Times extolling his talents: “Like a cobra intent on doing some charming of its own, the clarinetist Paul Green weaved, darted and hovered over his instrument…conjuring gorgeous sounds.”

On her debut Big Round Records release, A SINISTER ENDEAVOR, composer and pianist Gay Pearson presents a collection of works that highlight her eclectic quintet - consisting of piano, bass, drums, flute, and cello - and their colorful, introspective, and energetic performances. Recorded live in Newburyport MA, this album presents original works by Pearson, including Zonal and Meridional Flow, with its classical counterpoint and 4-part polyphony; the energetic solo piano piece Cirrus High; and An Ionian Emitter, which uses complex rhythms and syncopation.

Blues and big band lovers are in for a swingin' treat with Big Round Records' new archival recording of BERL OLSWANGER AND THE OLSWANGER BEAT, the label’s third released recording by “Mr. Music of Memphis." Olswanger, whose musical career spanned over a half-century, could easily be called a jack-of-all-trades: a popular bandleader, a prolific composer of swing music, a serial entrepreneur, and a wildly successful teacher bringing the art of music-making to the masses.

Berl Olswanger returns for a second installment of timeless archival recordings on Big Round Records, with BERL OLSWANGER AT PEPPER RECORDS, a collection of tunes recorded during the late-50’s golden era of the Memphis record business. Olswanger hit the state-of-the-art studios at Pepper Records to record 10 songs by William “Pat” Best, Floyd Huddleston, Olswanger himself, and more.

Big Round Records presents the first of five albums by “Mr. Music of Memphis,” Berl Olswanger, featuring tunes by Duke Ellington, Hoagy Carmichael, Cole Porter, and more. From pop standards and jazz ditties to good old-fashioned polka, pianist Berl Olswanger wrested command of just about every style.

Berl Olswanger, “Mr. Music of Memphis,” returns for a fifth installment of timeless archival recordings on Big Round Records with BERL OLSWANGER IN THE STUDIO. This never-before-heard collection transports listeners back to the pianist’s private studio in 1950’s Memphis where he recorded his early compositions, some of which went on to become fully orchestrated tracks on the 2021 release BERL OLSWANGER AT PEPPER RECORDS. With a smooth blend of blues, country, boogie-woogie, and ragtime influences, Olswanger delivers tunes that capture the popular sounds of the era. From the strong stride piano solo in Chicken Bone Man to the fluttering fills in Tennessee Skidoo, Olswanger’s inimitable approach shines through, inviting listeners into his private studio to witness an early period of the piano great’s legacy.

Big Round Record's first installment of its compilation series, BIG ROUND SOUND VOL. 1, presents a deep cross-section of the label's contemporary and eclectic catalog. From jazz and world music to folk, fusion, and progressive rock, this album features performances by Tony R. Clef, the Oscuro Quintet, Andy Jaffe and Branford Marsalis, Sophie Dunér, the Larksong Trio, Anne Vanschothorst, Juan Álamo, Jean-Philippe Grégoire, and more in works by Christina Rusnak, Svjetlana Bukvich, Sebastiano Meloni, Ecco La Musica, Bunny Beck, and others.

Even though the tracks on BIRTH OF A CITY are loosely grouped by their titles, the recording is very much a concept album. Haney, himself an accomplished pianist who also studied composition, scored the pieces for a kind of string quartet (violin – viola – cello – double bass), interspersed by varying quantities of brass instruments and percussion. Naturally, as one would expect from this kind of music, all works are scored with exactitude – for the most part, that is. Remarkably, Haney grants the performers a great amount of improvisatory freedom – indubitably owing to his own background in jazz, the genre which definitely and definitively shines through in all his compositions.

DETOURS, the debut Big Round Records release from percussionist Joe Porter and pianist Joel Goodfellow, showcases the jazz duo's capacity for collaboration and improvisation, with animated and dynamic versions of well-known film and literary compositions.

Birdland. The Village Vanguard. The Jazz Standard. Just a few of the New York clubs that have saturated the city's streets with the smooth sounds of jazz. Within this tradition, New York-native pianist and composer Bunny Beck presents seven cool and swinging original compositions as well as an arrangement of Hank Williams' "Your Cheatin' Heart" on her second release on Big Round Records, FROM THE SPIRIT. Featuring saxophonist Matt Blostein, guitarist Ed MacEachen, bassist Tom Hubbard, and drummer Vinnie Sperrazza, with Bunny Beck on piano, the Bunny Beck Jazz Ensemble highlights crisp and expressive improvisations while occasionally breaking into Latin rhythms. This album captures the relaxed and refined atmosphere emanating from those New York clubs.

GOIN’ HOME… A RETROSPECTIVE is pianist and composer Gay Pearson’s second release on Big Round Records. The album is a live recording of her most recent annual chamber-jazz concert, featuring an eclectic ensemble with Gay Pearson on piano, John Lockwood on bass, Phil McGowan on drums, Tracy McMullen on saxophone, Lea Pearson on flute, and Shannon Allen on cello. This varied ensemble performs a wide variety of music with different instrumental combinations, from Astor Piazzolla to classic tunes of Chick Corea, Harold Arlen and Jerome Kern, to more contemporary original compositions by Pearson herself.

I AM NOT A VIRUS from composer Jordan VanHemert and Big Round Records, is a collection of contemporary music uniquely fitting for this unprecedented juncture in human history. Called an "excellent outing" by jazz historian Scott Yanow, the collection of lively, piano-driven jazz band performances takes inspiration from a wide swath of timely subjects—everything from the coronavirus pandemic to racially charged police killings and the resulting Black Lives Matter protests of 2020.

Big Round Records is proud to announce its reissue of Andy Jaffe's MANHATTAN PROJECTIONS, an album of the jazz composer/pianist's works for small band repertoire. This rerelease of the jazz classic includes the original seven works from the 1984 debut, the McDaniels session tracks from the 2001 Playscape reissue, plus three bonus tracks from the Tom McClung-Andy Jaffe piano trio exclusive to this release.

Big Round Records is proud to present MIKA MARIMBA MADNESS: LIVE IN CONCERT 2009, featuring a breathtaking performance from Japan's virtuoso marimbist Mika (Yoshida) Stoltzman alongside drummer Steve Gadd, bassist Eddie Gomez, and pianist Peter Stoltzman.

On his second Big Round Records release MOODS AND SKETCHES, composer Sebastiano Meloni presents 12 improvisations for piano. Meloni’s primary interest is in making improvisation, both as a composer and as a performer. Performed on a Fazioli grand piano F278, each piece explores the different facets of improvisational language, each having a specific methodical theme.

Big Round Records is proud to present MORNING MOON, the debut commercial release from the eclectic and varied Ecco La Musica. The group's seamless blending of jazz, world, chamber, and experimental music-all of which is composed by the group members themselves-highlights their ability to remain ahead of the curve of their competition, both independent and mainstream. As most artists struggle to blur the lines of genre, Ecco La Musica has them nearly erased.

Ecco La Musica seeks to connect to its audience not through an ability to be pegged into a single category, but through the spiritual and cultural aspects of their music. Firm believers in the unifying power of music and the coexistence promoted by its very craft, the group strives to expose listeners to the idea that originality and cross-cultural influences in music can lead to a global awareness of artistic integrity, the necessity for peace, and the unity of culture.

Peggo Hodes soprano

Renowned Nevada-based Floridian composer, author, and teacher, Henry Wolking follows up his recent and miraculous IN SEA, with a Big Round Records re-release of POWELL CANYONS: AND OTHER ORCHESTRAL JAZZ WORKS. First released in 2000 by MMC Recordings, this stunning and effervescent album of orchestral jazz compositions is a quintessential key to understanding Wolking’s work and nature inspired aesthetic.

Fusion lovers will enjoy the PARMA recordings debut of oboist Margaret Herlehy in this fresh, new collection of Latin-inspired jazz. Uniquely, oboe is the central instrument in each composition. Herlehy not only meets the demands of such a challenge but exceeds them.

SOUND TAPESTRIES features performances of Jazz classics by Bunny Beck and the Bunny Beck Trio. Each song is unique with its appeal and mood, and Beck brings them together comfortably, both with the trio and on the solo piano. Join Beck as she weaves the sounds of each track to create tapestries of music.