Catalog

Berl Olswanger returns for a second installment of timeless archival recordings on Big Round Records, with BERL OLSWANGER AT PEPPER RECORDS, a collection of tunes recorded during the late-50’s golden era of the Memphis record business. Olswanger hit the state-of-the-art studios at Pepper Records to record 10 songs by William “Pat” Best, Floyd Huddleston, Olswanger himself, and more.

Blues and big band lovers are in for a swingin' treat with Big Round Records' new archival recording of BERL OLSWANGER AND THE OLSWANGER BEAT, the label’s third released recording by “Mr. Music of Memphis." Olswanger, whose musical career spanned over a half-century, could easily be called a jack-of-all-trades: a popular bandleader, a prolific composer of swing music, a serial entrepreneur, and a wildly successful teacher bringing the art of music-making to the masses.

Grab a drink, take a seat, and sway with your sweetie to the swinging sounds of pianist Berl Olswanger and his band on THE BERL OLSWANGER SHOW, Big Round Records’ fourth release of recordings by “Mr. Music of Memphis.” Recorded live in 1974, the never-before-heard album transports listeners to stageside seats as the band plays a historic set of toe-tapping tunes, from the horn-heavy Proud Mary to the country-western Green, Green Grass of Home. No matter the track, Olswanger’s presence is front and center, from his genre-blending skills and his technical chops at the piano to his ability to keep the band crisp and tight as they boogie through the set.

Israel Neuman’s VOLUTION fuses the power of hip hop with the versatility of jazz to form a uniquely forceful expression. The music heard on the album hints at a number of other musical genres as well, including rhythm and blues and middle-eastern folk music, to name a few. Vocalists including AceKidd and Cole Bracey rap and sing over the kaleidoscopic timbres created by Neuman’s music. In Tear It Down, AceKidd’s lyrics decry systemic injustice with lines like “man down/oh but you won’t lend a hand out/pressed down expecting us to stand down.” In Rough, a lovesick Cole Bracey croons “I’m worthless without your love/I’m spinning…Oh it’s rough.” With evocative lyrics, masterful modulations, and a smooth blend of celebrated musical styles, VOLUTION invites a wide audience of music lovers to the table.

WHEN GAIA FALLS from composer Bradford Blackburn is an environmental call for action in the face of climate change manifested through musical, literary, and sonic eclecticism as a medium of universality. Its central message? There is no better time to save the future than the present. From the body of electroacoustic, choral, and chamber works emerge a trio of narrative sub texts. The first, to simplify our needs and desires, the second, to make ecologically sustainable choices, and the third, to pursue positive change as a society. Bradford calls upon several artists to drive his message home in this release, spanning a variety of genres and moods that make a compelling case.

Berl Olswanger, “Mr. Music of Memphis,” returns for a fifth installment of timeless archival recordings on Big Round Records with BERL OLSWANGER IN THE STUDIO. This never-before-heard collection transports listeners back to the pianist’s private studio in 1950’s Memphis where he recorded his early compositions, some of which went on to become fully orchestrated tracks on the 2021 release BERL OLSWANGER AT PEPPER RECORDS. With a smooth blend of blues, country, boogie-woogie, and ragtime influences, Olswanger delivers tunes that capture the popular sounds of the era. From the strong stride piano solo in Chicken Bone Man to the fluttering fills in Tennessee Skidoo, Olswanger’s inimitable approach shines through, inviting listeners into his private studio to witness an early period of the piano great’s legacy.

YOU LOVED ME THEN, David Harris’ first album of originals in over 30 years, reflects his eclectic musical journey. It began when his father played him the works of Romantic composers like Chopin and Schuman, continued to his grade school encounters with the Beatles and The Doors, and was crowned by his teenage discovery of John Coltrane, Charles Mingus, and most importantly, Thelonious Monk. Harris estimates that he has written somewhere around 3,000 jazz, pop, and classical compositions. With the help of renowned pianist Paul English and a cadre of exceptional jazz talents, Harris brings some of his favorites to life on this Big Round Records release.