Catalog

TUESDAY AFTERNOON is an album of Tony Clef's arrangements and transcriptions of a variety of works for nylon string guitar. A student of Richard Layman, Adam Holzman, and Stephane Wrembel, Clef's musical interests grew past the standard classical repertory and began learning and playing samba, bossa nova, and modern pop and rock songs. Clef has become adept at identifying complex harmonies and rhythms by ear, and his arrangements provide fresh takes on popular songs and standards that maintain the originals' integrity.

On his second Big Round Records release MOODS AND SKETCHES, composer Sebastiano Meloni presents 12 improvisations for piano. Meloni’s primary interest is in making improvisation, both as a composer and as a performer. Performed on a Fazioli grand piano F278, each piece explores the different facets of improvisational language, each having a specific methodical theme.

Exuberant and exciting is the Big Round Records debut of big band pianist and composer Ron Paley. This is not “just another pops album.” Paley’s work is cool, clever, and ridiculously fun. Seven of the ten tracks on THE MORE YOU KNOW are completely composed, arranged, and performed by Ron Paley.

Composer and pianist Kenneth Kuhn, after finding the music he wanted to hear did not exist, strove to bring his own musical visions to life. The result, PIANO WORKS OF KENNETH KUHN, is a cathartic journey through the memories and imagination of the composer. Romantic in quality, thematic, memorable, and deeply moving, Kuhn’s latest work leaves listeners feeling enriched and enchanted.

AMBIENCE is Big Round Records’ latest release from composer Joe Hume. After a decade of working exclusively as a professional pianist, Hume has returned to composing in a big way with this compelling 11-track album of airy original solo piano pieces.

Composer and songwriter Elaine Freeman and Big Round Records present LA SPERANZA, a careful selection of piano music, composed by ear, memory and touch without sheet music. Not quite classical, not quite pop, these pieces have the ability to appeal to both the casual listener and fans of musical minimalism.

On PEOPLE, PLACES, MOMENTS, Nina Feric presents a wide selection of all original works, each deeply in tune with life and art, and enriched with personal anecdotes from her own life. Her first album as both a composer and performer, Feric’s compositions often alternate between lighter and darker moments, while the use of modulation and chromatics give the melodies a certain dose of playfulness. Thoughtfully composed and masterfully conveyed through a single piano, the main message behind Feric’s music speaks clearly and warmly throughout: a positive outlook on the future and the joy of living.

APERÇU from composer and banjo innovator Michael Nix challenges listeners to reimagine the banjo as an instrument. The music, part of Nix’s New Classic Banjo Project, is brought to life by Nix’s 7-string Banjar, incorporating a wide range of folk and classical styles to forge an entirely new genre: New Classical Banjo. The album's title, which translates to “A survey or sketch; or an immediate impression, especially an insight” delivers just that. Koromanti, the opening piece on the album, is based on the very first notated banjo music, a transcription of music performed at a gathering of enslaved people in Jamaica in 1688. Banjar Lam Plearn, meanwhile, pays homage to the Mor Lam style traditionally performed in the Issan region of Thailand. These, and many other Aperçu shine through this remarkable collection of music.