Catalog

THE OXTET DOES HINDEMITH from Josh Oxford is a bold reimagining of classical music in a jazz fusion context. In this album, Oxford revisits some of Paul Hindemith’s greatest works. Hindemith, a late Romantic German composer, lived during the first half of the 20th century and was among the most significant composers of his time. The album contains sonatas for trumpet, tuba, trombone, and more, in which tonically complex horn lines weave above a jazz band. Recorded at Pyramid Sound in Ithaca and at Ithaca College, the timbres of the various horns along with marimba, Fender Rhodes, drums, electric guitar and bass, and more, are rendered in high fidelity. THE OXTET DOES HINDEMITH features the music of this legendary composer as you’ve never heard it before.

Israel Neuman’s VOLUTION fuses the power of hip hop with the versatility of jazz to form a uniquely forceful expression. The music heard on the album hints at a number of other musical genres as well, including rhythm and blues and middle-eastern folk music, to name a few. Vocalists including AceKidd and Cole Bracey rap and sing over the kaleidoscopic timbres created by Neuman’s music. In Tear It Down, AceKidd’s lyrics decry systemic injustice with lines like “man down/oh but you won’t lend a hand out/pressed down expecting us to stand down.” In Rough, a lovesick Cole Bracey croons “I’m worthless without your love/I’m spinning…Oh it’s rough.” With evocative lyrics, masterful modulations, and a smooth blend of celebrated musical styles, VOLUTION invites a wide audience of music lovers to the table.

Grab a drink, take a seat, and sway with your sweetie to the swinging sounds of pianist Berl Olswanger and his band on THE BERL OLSWANGER SHOW, Big Round Records’ fourth release of recordings by “Mr. Music of Memphis.” Recorded live in 1974, the never-before-heard album transports listeners to stageside seats as the band plays a historic set of toe-tapping tunes, from the horn-heavy Proud Mary to the country-western Green, Green Grass of Home. No matter the track, Olswanger’s presence is front and center, from his genre-blending skills and his technical chops at the piano to his ability to keep the band crisp and tight as they boogie through the set.

Blues and big band lovers are in for a swingin' treat with Big Round Records' new archival recording of BERL OLSWANGER AND THE OLSWANGER BEAT, the label’s third released recording by “Mr. Music of Memphis." Olswanger, whose musical career spanned over a half-century, could easily be called a jack-of-all-trades: a popular bandleader, a prolific composer of swing music, a serial entrepreneur, and a wildly successful teacher bringing the art of music-making to the masses.

Since its inception in 2006, the B-Side Band has become the premiere professional big band in the city of Brno in the Czech Republic. Now, under the direction of bandleader Josef Buchta, the band presents its newest album: MISSA JAZZ. In this latest work, the B-Side Band is joined by Chamber Orchestra Brno and the Ars Brunensis chamber choir; together, they perform Jaromír Hnilička’s Missa Jazz. As its name suggests, the work is a complete Mass, and the score for its first iteration is held at the Vatican Library. Now, the original composition has been expanded to include a chamber orchestra and several new choral parts, resulting in a total reimagining of the work. First debuted in the fall of 2008, this album is the first-ever studio recording of the final expanded version of the Missa Jazz.

Berl Olswanger returns for a second installment of timeless archival recordings on Big Round Records, with BERL OLSWANGER AT PEPPER RECORDS, a collection of tunes recorded during the late-50’s golden era of the Memphis record business. Olswanger hit the state-of-the-art studios at Pepper Records to record 10 songs by William “Pat” Best, Floyd Huddleston, Olswanger himself, and more.

I AM NOT A VIRUS from composer Jordan VanHemert and Big Round Records, is a collection of contemporary music uniquely fitting for this unprecedented juncture in human history. Called an "excellent outing" by jazz historian Scott Yanow, the collection of lively, piano-driven jazz band performances takes inspiration from a wide swath of timely subjects—everything from the coronavirus pandemic to racially charged police killings and the resulting Black Lives Matter protests of 2020.

Big Round Records presents the first of three albums by “Mr. Music of Memphis,” Berl Olswanger, featuring tunes by Duke Ellington, Hoagy Carmichael, Cole Porter, and more. From pop standards and jazz ditties to good old-fashioned polka, pianist Berl Olswanger wrested command of just about every style.

Fresh from Big Round Records comes the Cotatcha Orchestra’s BIGBANDOVÁ ELEKTRONIKA/BIGBAND ELECTRONICS. As its name suggests, this unprecedented album pairs original big band music with electronic music, concocting a sound—and perhaps even a brand new genre—that listeners have never heard before.

New from Big Round Records comes jazz composer and pianist Paul English’s GIRL IN GREEN. The album features never-before-heard renditions of immortal classics as well as English’s original works. Listen as English and his cadre of masterful soloists carve a place for themselves in jazz history.

Described by critics as “beyond category, to use Duke Ellington’s signature compliment” (All About Jazz), Japanese marimba extraordinaire Mika Stoltzman brings her wealth of experience to her latest “Mikarimba” album, Big Round Records’ TAPEREBÁ. Vibrant and bursting with flavor (just like the Brazilian fruit which the album derives its title from), the jazzy TAPEREBÁ features performances by Stoltzman and a circle of legendary fellow artists. With over 25 Grammy Awards shared between the members on this record, a memorable listening experience is practically guaranteed.

On TO ONE, Croatian-born Lela Kaplowitz delivers a collection of songs that expressively hearken back to the singer/songwriter era of the 1970s, reviving the spirit of such ground-breaking artists as Carole King, Laura Nyro, and Roberta Flack. Kaplowitz, who has been lauded by jazz vocal legend Sheila Jordan as “an extremely talented vocalist” and Bobby McFerrin as having a “wonderful voice,” presents a nuanced mélange of pop, soul, jazz, and even folk music on TO ONE.

Even though the tracks on BIRTH OF A CITY are loosely grouped by their titles, the recording is very much a concept album. Haney, himself an accomplished pianist who also studied composition, scored the pieces for a kind of string quartet (violin – viola – cello – double bass), interspersed by varying quantities of brass instruments and percussion. Naturally, as one would expect from this kind of music, all works are scored with exactitude – for the most part, that is. Remarkably, Haney grants the performers a great amount of improvisatory freedom – indubitably owing to his own background in jazz, the genre which definitely and definitively shines through in all his compositions.

A BISSEL RHYTHM is composer and clarinetist Paul Green’s PARMA Recordings debut, although it marks his second recorded exploration into the fusion between jazz and Jewish music. A performance at Merkin Concert Hall resulted in the New York Times extolling his talents: “Like a cobra intent on doing some charming of its own, the clarinetist Paul Green weaved, darted and hovered over his instrument…conjuring gorgeous sounds.”

Concert pianist and composer Michael Arnowitt, assisted by ImproVisions Jazz, makes his Big Round Records debut with SWEET SPONTANEOUS, the title drawn from a poem by e.e.cummings. This two-disc jazz album features 14 of Arnowitt’s own compositions with the composer himself at the piano, joined by a dozen jazz notables including Yosvany Terry on alto sax, Lucas Pino on tenor sax, Dave Smith on trumpet, and Colin Stranahan on drums.

Exuberant and exciting is the Big Round Records debut of big band pianist and composer Ron Paley. This is not “just another pops album.” Paley’s work is cool, clever, and ridiculously fun. Seven of the ten tracks on THE MORE YOU KNOW are completely composed, arranged, and performed by Ron Paley.

Fusion lovers will enjoy the PARMA recordings debut of oboist Margaret Herlehy in this fresh, new collection of Latin-inspired jazz. Uniquely, oboe is the central instrument in each composition. Herlehy not only meets the demands of such a challenge but exceeds them.

Renowned Nevada-based Floridian composer, author, and teacher, Henry Wolking follows up his recent and miraculous IN SEA, with a Big Round Records re-release of POWELL CANYONS: AND OTHER ORCHESTRAL JAZZ WORKS. First released in 2000 by MMC Recordings, this stunning and effervescent album of orchestral jazz compositions is a quintessential key to understanding Wolking’s work and nature inspired aesthetic.

GOIN’ HOME… A RETROSPECTIVE is pianist and composer Gay Pearson’s second release on Big Round Records. The album is a live recording of her most recent annual chamber-jazz concert, featuring an eclectic ensemble with Gay Pearson on piano, John Lockwood on bass, Phil McGowan on drums, Tracy McMullen on saxophone, Lea Pearson on flute, and Shannon Allen on cello. This varied ensemble performs a wide variety of music with different instrumental combinations, from Astor Piazzolla to classic tunes of Chick Corea, Harold Arlen and Jerome Kern, to more contemporary original compositions by Pearson herself.

On his second Big Round Records release MOODS AND SKETCHES, composer Sebastiano Meloni presents 12 improvisations for piano. Meloni’s primary interest is in making improvisation, both as a composer and as a performer. Performed on a Fazioli grand piano F278, each piece explores the different facets of improvisational language, each having a specific methodical theme.